Person
Plato
Who is Plato in the Agency editorial?
Plato was a philosopher of ancient Athens, a student of Socrates and the author of dialogues such as the Republic and the Symposium. The Agency editorial returns to him in six editions: for the world of ideas, for the Symposium and its speeches on love, for the Republic, and in Issue.26 for the paradox of a writer who condemned writing.
In short
Plato is named in six editions of the Agency editorial. Issue.4 names him inside an excerpt from the author's book Farewell, Aurora, which relates the Greek idea of agalma to the state discussed in the Republic. Issue.10 uses his world of ideas, described as an abstract, untouchable and perfect reality, in its image of life as a box of Lego. Issue.13 presents the Symposium as the book in which thinkers of ancient Greece gather at a dinner to speak about love. Issue.14 thanks him after a quotation about music that it attributes to him. In Creative.11 the author, answering as the interviewee, says he learned from the Symposium that love is found within. Issue.26 builds its theme on him: "Plato condemned writing… in writing."
Key facts
- Which works by Plato do the editions name?
- The Republic in Issue.4, the Symposium in Issue.13 and Creative.11, and the dialogue Phaedrus in Issue.26. Issue.26 also names Plato's Pharmacy, the essay Jacques Derrida wrote about him.
- How does Issue.26 use Plato?
- As the centre of its paradox. The edition says he wrote down the myth about writing in the Phaedrus, went on to write extensively, put words into the mouth of Socrates, and so condemned writing in writing.
- What does Issue.10 take from Plato?
- The world of ideas, which the edition describes as an abstract, untouchable and perfect reality, separate from what the senses perceive. The edition's metamodern philosopher navigates that world.
Who was Plato?
Plato was a Greek philosopher who lived in Athens in the fifth and fourth centuries BCE. He was a student of Socrates, founded the Academy and wrote philosophical dialogues, among them the Republic, the Symposium and the Phaedrus, in which Socrates is usually the main speaker. The years and the other card facts of this entry come from outside the editions and are marked for verification.
How do the editions use Plato?
In Issue.4 the name appears inside a quoted excerpt from chapter XI of the author's book Farewell, Aurora. The excerpt relates agalma, the perfection represented by a Greek statue, to politics and says that Plato discusses the idea of a perfect democratic state in the Republic. Issue.10 asks the reader to separate what the senses perceive from what, according to Plato, is an abstract, untouchable and perfect reality, the world of ideas. Issue.13 introduces the Symposium as a book written by Plato in which each guest gives a speech in appreciation of love, and adds that some people say it is a work of fiction. In Issue.14 a quotation box about music as a moral law is followed by a line of thanks to Plato; the edition gives no source for the quotation.
In Creative.11 the author is the interviewee. He says he learned from the Symposium that people search for love in the outside world until they realise it was within them the whole time. Issue.26 opens by saying that its theme made even Plato hypocritical. It explains that Socrates never wrote a book, that his myth about writing is known because his student Plato wrote it down in the Phaedrus, and that Plato went on to write extensively, putting into the mouth of Socrates words the philosopher might never have spoken. From there the edition reaches the idea of pharmakon and cites Derrida's essay Plato's Pharmacy.
Source editions
Where this entry comes from in the Agency editorial.
- Issue.4 - Leadership in CrisisRead the edition
- Issue.10 - NumbersRead the edition
- Issue.13 - AûsubRead the edition
- Issue.14 - ZephyrRead the edition
- Creative.11 - Thiago PatriotaRead the edition
- Issue.26 - PharmakonRead the edition