Character
Tony Soprano
Who is Tony Soprano in the Agency editorial?
Tony Soprano is the mob boss at the centre of the TV series The Sopranos, created by David Chase and played by James Gandolfini. Issue.16 of the Agency editorial, dedicated to the actor, has a section with the character's name: it presents Tony as the anti-hero who goes to therapy and as the legacy Gandolfini left.
In short
Tony Soprano is the protagonist of The Sopranos, the HBO series that Issue.16 says premiered on January 10, 1999 and popularized the anti-hero. The edition is a tribute to James Gandolfini, who played him, and a section named Tony Soprano describes the character: created by David Chase, he develops around the therapy sessions in which, with Dr. Jennifer Melfi, he tries to understand the root of his anger so as to be a better father and husband. The edition sees in him "a feared mob boss sharing his fears and secrets with a doctor" at a time of taboo around men and psychological care, and admits that negative stereotypes are also reinforced through him.
Key facts
- Which work does Tony Soprano belong to?
- The TV series The Sopranos, created by David Chase and shown by HBO from 1999, in which James Gandolfini plays him.
- Where does the Agency editorial write about Tony Soprano?
- In Issue.16, in the introduction and in the chapter 16.3, James Gandolfini and Tony Soprano, which has a section with the character's name.
- What does Issue.16 highlight in Tony Soprano?
- The therapy: a feared mob boss who shares his fears with a doctor to become a better person, when men and psychological care were a taboo.
Who is Tony Soprano?
Tony Soprano is the main character of The Sopranos: the head of a mafia family who is also a husband and a father. Issue.16 gives the essentials itself. It says the series premiered on HBO on January 10, 1999, that the character and the show were created by David Chase, that James Gandolfini played a mob boss for 8 years, and it names the actors who played Carmela Soprano, Meadow Soprano and Dr. Jennifer Melfi.
How does Issue.16 use Tony Soprano?
The introduction of Issue.16 says the edition is perhaps a scolding in disguise, in the same Italo-American way that James Gandolfini did through his character Tony Soprano. The chapter on heroes and villains then argues that society is past the archetype of perfect heroes and that The Sopranos popularized the anti-hero, a protagonist who fully embodies an imperfect human nature.
In the section with the character's name, the author writes that Tony develops around his therapy sessions, where he tries to understand the root cause of his anger issues so that, regardless of the lifestyle he inherited from his ancestors, he can be a better father and husband. The author adds that many negative stereotypes and prejudices are also reinforced through Tony, but that anti-heroes are not written to be entirely loveable.
The edition then returns to the actor. It says that perhaps the most significant sacrifice Gandolfini made was grasping as much of Tony's shadowy and evil side as he could, because that part of the character can represent buried aspects of the personality in every one of us. For the edition, Tony Soprano is the legacy Gandolfini left, and a reason to celebrate.
Source editions
Where this entry comes from in the Agency editorial.
Also from these editions: concepts
Also from these editions: terms
Related concepts
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